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藤枝守
≪クラヴィコードの植物文様≫
砂原悟（クラヴィコード）
Mamoru Fujieda:
Patterns of Plants, played on the clavichord
Satoru Sunahara (clavichord) |
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レコード芸術準特選盤！ 
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[01]
no.16: clavier selection I, pattern D (1999)
[02] no.15: clavier selection I, pattern
C (1999) 
[03] no.14: clavier selection I, pattern
B (1999)
[04] no.13: clavier selection I, pattern
A (1999)
[05] no.25: clavier selection III, pattern
A (1999-2007)
[06] no.28: clavier selection III, pattern
D (1999-2006)
[07] no.27: clavier selection III, pattern
C (1999-2006)
[08] no.01: the 5th collection, pattern
A (1996)
[09] no.02: the 5th collection, pattern
B (1996)
[10] no.03: the 5th collection, pattern
C (1996)
[11] no.04: the 5th collection, pattern
D (1996)
[12] no.29: the 15th collection, pattern
A (2007)
[13] no.30: the 15th collection, pattern
B (2007)
[14] no.31: the 15th collection, pattern
C (2007)
[15] no.32: the 15th collection, pattern
D (2007)
[16] no.33: the 16th collection, pattern
A (2007)
[17] no.35: the 16th collection, pattern
C (2006)
[18] no.36: the 16th collection, pattern
D (2007)
[19] no.05: the 7th collection, pattern
A (1997)
[20] no.08: the 7th collection, pattern
D (1997)
[21] no.10: the 12th collection, pattern
B (1999)
[22] no.17: clavier selection II, pattern
A (2000)
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| ご注文はこちら |
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■クラヴィコードの植物文様
バッハも愛用したといわれるクラヴィコードは、どこにでも持ち運びが可能で練習や作曲の手助けとなった楽器でした。そのシンプルな楽器のメカニズムによって、微かな響きのなかに、じつにさまざまな微妙な音のニュアンスが生み出されます、
これまでの《植物文様》シリーズには、ピアノやハープシコードのための曲集がありましたが、それらをあらたに《植物文様クラヴィーア曲集》としてまとめました。そして、以前からクラヴィコードに興味を寄せていたピアニストの砂原悟さんと相談しながら、《クラヴィーア曲集》からクラヴィコードに相応しい曲を選びだし、2007年に東京の自由学園・明日館で「クラヴィコードの植物文様」という演奏会を開催しました。このＣＤは、この演奏会がきっかけとなって生まれました。
砂原悟さんの奏でる繊細なクラヴィコードの音。聴き入るほどに、クラヴィコードの《植物文様》は「フラジャイルな響きの綴れ織り」に姿を変えていきます。 （藤枝守） |
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On
゛Patterns of Plants, played on the
clavichord″The clavichord, which
J. S. Bach loved, was a convenient
instrument which could be carried
to anywhere for practicing and for
composing. A simple mechanism of the
instrument generates a variety of
subtle nuances in its sound expression.
The series of ﾒPatterns of Plantsﾓ
consisted of some collections of pieces,
which were grouped as some piano collections
and a harpsichord collection. From
the previous collections, I newly
compiled ﾒPatterns of Plants, a clavier
collection.ﾓ From the new collection,
I chose some pieces, discussing with
pianist Satoru Sunahara who was interested
in playing the clavichord. In 2007,
we had a concert entitled ゛Patterns
of Plants, played on the clavichord″
at Jiyugakuen Myonichi-kan in Tokyo.
The occasion lead to this CD. When
listening to the delicate sounds of
the clavichord played by Mr.Sunahara,
we can notice that ゛Patterns of Plantsﾓ
transforms itself to ″a fragile sonic
tapestry.ﾓ (Mamoru Fujieda)
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［アーティスト・プロフィール］
◆砂原悟（クラヴィコード）
東京芸術大学大学院修了、ミュンヘン音楽大学マイスターディプロム取得。1984年、日本音楽コンクール入選。1987年、ポルト市国際ピアノコンクール（ポルトガル）入賞。1988年クロイツァー賞受賞。現在、日本各地で独奏、室内楽、歌曲伴奏などの演奏活動とともに、コンクール審査、音楽雑誌「レッスンの友」での執筆活動なども行っている。東邦音楽大学、大学院准教授、東京芸術大学講師。
http://www.sunaharasatoru.com
◆藤枝守（作曲）
カリフォルニア大学サンディエゴ校音楽学部博士課程修了。博士号（Ph.D.
in Music）を取得。作曲を湯浅譲二、モートン・フェルドマンらに師事。ハリー・パーチ、ルー・ハリソンに影響されながら、純正調による音律のあらたな可能性を模索。1997年に音律の可能性を追求する合奏団「モノフォニー・コンソート」を組織。《箏組曲_植物文様》《今日は死ぬ
のにもってこいの日》などCDや『[増補]響きの考古学』『響きの生態系』の著書がある。現在、九州大学大学院芸術工学研究院教授。
http://www.fujiedamamoru.com/
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SATORU
SUNAHARA graduated from Tokyo University
of Fine Arts and Music in 1983. He went
to Germany (Munich) to study in 1985, and
completed his master course in Munich Music
University in 1987. He completed the master
course of Tokyo University of Fine Arts
and Music in 1988, and registered for doctors
program of the same university. He is rated
highly such as receiving a prize in the
music competition of Japan in 1984 and in
the International Piano Competition of Porto
city. He is active in performing as soloist
and in chamber music, mainly in Tokyo. At
the present he is an Associate Professor
in Toho Collage of Music and a lecturer
in Tokyo University of Fine Arts and Music.
MAMORU
FUJIEDA received his Ph.D. in music from
the University of California, San Diego.
His composition teachers include Joji Yuasa
and Morton Feldman among others. Influenced
by Harry Partch and Lou Harrison, he has
been working for possibilities of alternative
tuning systems based on just intonation.
He founded an ensemble "Monophony Consort"
for music in alterative tuning systems in
1997. His CDs have been released from domestic
and foreign labels. He is the author of
two books, Hibiki no Seitaikei (Sound Ecology),
and Hibiki no Kokogaku (Archaeology of Sounds).
He is a Professor of Design at Kyushu University.
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Recorded
on 22nd January and 5th February, 2008 at the
50th anniversary memorial hall, Toho Music of
College
Director：Mamoru Fujieda
Recording/Mastering：Tsutomu Suto
Clavichord builder：Akihiko Yamanobe
Tuning：Kirnberger/Werckmeister Cover
Photo：Satoshi Aoyag
i Design：Motoyuki Oshikiri
Producer： Yoshiho Nagashima (milestone art works)
Special Thanks: Mimuroto Gakuen (Toho Music of
College) Akihiko Yamanobe
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